12 Comments
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OJB's avatar

I'm quite liking 113b this time.

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Jeannine Lawall's avatar

Yes, those elevators doors are beautiful indeed! I was just about to comment about how 113b is my favorite as well,

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Mark McGuire's avatar

Unlike a canvas, you had to be in the right spot to see the colours. It reminded me of a Colour Field painting.

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Jeannine Lawall's avatar

You captured it perfectly!

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Greg Kie's avatar

Many people spend more time documenting themselves in front of the artwork rather than just enjoying the pieces on display.

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Mark McGuire's avatar

That’s true. I’ve seen people at landmark exhibitions who seemed more interested in taking selfies for social media than in appreciating what they came to see.

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Greg Kie's avatar

Of course it varies from gallery to gallery. We also photographed art during a recent visit to MoMA. While others were waiting to snap a selfie in front of "Starry Night," we found ourselves photographing the works we weren't familiar with, like a Giacometti sculpture, or Hopper painting. When we went to the Guggenheim, no one was taking selfies at all.

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Mark McGuire's avatar

I guess it can be risky backing into the low wall at the Guggenheim to take a selfie.

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Mark Foard's avatar

Great post, Mark. I too enjoy art galleries for all the “art” that’s not officially on show. It’s like getting double the value for your price of admission.

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Mark McGuire's avatar

I could tell from your photos of the heavenly staircase at the Ontario Gallery of Art.

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Annie Blackwell's avatar

Great selection once again, Mark. When I detached my mind from the subject to look only at the colour, shade, reflections and form, each was a potential artwork. I could see where those such as Miro got their inspiration.

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Mark McGuire's avatar

Miró and other abstract artists showed us how to appreciate the visual qualities of things and our emotional responses to the world around us—as well as the one in our heads.

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